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Stephen,” and I traipsed from my second-level seat, down the aisles, glided past a checkpoint or two onto the floor, and up near the front. Late in the second set, Garcia played those two signature guitar notes kicking off “St. The security was dreadfully tight, everyone had to stand right in front of their seat, nobody in the aisles. (Maybe they had over-played it early on from 1968-’70, they performed in constantly.) But they pulled it out three times in 1983, and I was at one of these shows, in Hartford, Conn. In concert, it usually took on amazing power.įor reasons Garcia took to the grave, the Dead put “St. A fine structural balancing act between raunchy rock ‘n’ roll verses, and the delicate, melodic bridge. Stephen”: A shot of late-’60s energy – mysterious, dark, dense with shaded meaning. Neither did I that shuffle beat was intoxicating. It inspired Garcia to lead some of his best jams, and the song – five extremely brief, two-line verses about a guy pleading with a girl to keep their romance a secret – was often stretched past 15 minutes. It was a staple of the Dead’s repertoire forever – and of the Jerry Garcia Band’s as well.
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This was five years before the single was released.
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15, 1982 at the Capital Centre in Maryland. Note: I was there for the first performance of the song, on Sept. Among the artists who have released covers of Dead songs are the Decemberists, Los Lobos, Jesse McReynolds, Bruce Hornsby, the Black Crowes and Sublime – and that’s all within the last year.) Musicians can’t help themselves from covering those songs. “Ramble on Rose” – who were these characters, Mojo Hand and Billy Sunday and Crazy Otto? “Playing in the Band” – why couldn’t I tap my foot to that rhythm? “Brokedown Palace” – how could three verses about a river stir up so much emotion and bring to mind so many parts of my life? God, was it thrilling, mysterious and unique. Each new one discovered wasn’t like hearing a new song it was like being led into a new world, each one with its own color, shape, and rules (or lack of same). The studio work was not considered the ideal way to experience the Dead, the live albums were strong but limited in scope, the bootlegs were of marginal quality. For a few years before I witnessed my first Dead concert (March 9, 1981, Madison Square Garden), I was listening to the music on studio albums, official live releases and the few bootleg concerts on cassette tapes I could get my hands on. Bryan Gonzales/The Aspen TimesJerry GarciaĪSPEN- When I began discovering the Grateful Dead, lo these many years ago, what didn’t captivate me first was the pot or the hippie gathering that was a Dead show or the charisma of Jerry Garcia or the never-heard-anything-like-it improvised jams.